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I picture this timing likely developed throughout the Palladium period however I have not confirmed that. Eddie Torres began teaching and promoting this timing beginning in the 1980's, from what I understand. He was mentored by the late June Laberta, a ballroom dancing educator, that aided him develop his technique and timing.

The story I'm continually informed below, that still requires additional investigation, is that as salsa began reaching brand-new audiences outside of the Caribbean and New York City, it was much easier and a lot more instinctive to teach social outsiders to dance On1 rather than On2. However, this story doesn't make up the fact that I have actually heard Rueda de Casino was originally danced a tiempo On3 in Cuba.

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Salsa On1 is simply among various salsa timings you can dance to and it is the most typical timing you'll discover worldwide today. Salsa On1 timing interpretation: "On1" suggests you start dancing on the initial beat of bench of songs the 1. Your break actions (direction modifications) are on beats 1 and 5.

The exemptions I have actually located thus far, where On2 is most common, would be around New York and in South Korea (Bachata Dance San Francisco). I'm certain there are other locations that dance primarily On2 yet I have not danced in every nation! If you're not exactly sure what timing is most typical where you live, ask your local dance workshop

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When somebody states "I dance salsa On1" they probably indicate "I dance straight design salsa On1" (although you can dance any kind of design of salsa On1, people usually mean straight style). Do not worry if you've claimed these points in the past, it's all excellent most of us have! The important point is to keep in mind there's a distinction in between design and timing and deepen your understanding so you can be much more precise when talking regarding salsa with your pals.

It attaches nicely with the phrasing in the music, especially the piano, and other percussion instruments like the cow bell and giro. Timing and style are 2 different points, so separate the ideas when you speak concerning salsa with your buddies. Regardless of what timing is most common in your region of the world, remember you can technically dance any style of salsa to any type of timing check out and delight in!

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Although there is an original mambo dancing that came from Cuba and after that spread out to Mexico and New York City in the 40s and 50s, these days when someone says "I dance mambo" they imply salsa On2, which is different than the original mambo dancing. The sporadic free-from steps of the original mambo were danced solo.

Which's what we refer to as mambo or salsa on2 today. As the dance began to spread out, On1 timing began to come to be popular. Salsa On2 meaning: "On2" indicates you begin dancing on the very first beat of the bar of music the 2. Your break steps (direction modifications) get on beats 2 and 6.

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Historically those are the instruments that a boy cubano professional dancer gotten in touch with and that was passed on to mambo and salsa. A great deal of dancers enjoy dancing On2 for the varied ways you can connect to the music. This is the initial boy cubano and mambo timing. Kid cubano is the songs and dancing that came before mambo and salsa.

It connects well to the clave, bass and conga - Bachata San Francisco. Cha-cha is much like dancing On2 contratiempo however you include the three-way action on 4 and 8. Danced to the same beats as On1, your break steps are currently on 2 and 6, which alters the feel of the dance.

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It attaches well with the conga and cowbell. https://justpaste.it/b4kzw. This timing is almost similar to contratiempo On2 but the actions that are typically on 4 and 8 are on 4. 5 and 8. 5 instead half a beat later, which associate the syncopated tone of the conga. It's almost like a timing in between a tiempo and contratiempo.

5 instead of 5) you're dancing this syncopated timing. In truth it appears it's often danced as kind of a "mistake" for any individual dancing the previous two timings.

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As discussed earlier, this was the first interpretation of dance on clave (child clave), where the Puerto Ricans would align their front break with the 2-side of the clave rhythm while dancing On2 contratiempo. The idea is to straighten as numerous actions of your standard as possible with the strikes of the kid clave.

Naturally, individuals have located a way to dance on practically every timing possible to son and salsa songs. People dance On3 for the exact same reason you dance On1 because it stresses the solid beats of 1-3-5-7.

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Allow's look at the beats you dance On1 to: -2-, -6- (strong beats are in vibrant) Let's check out the beats you dance On3 to: -4-, -8- (solid beats are in bold) Notice exactly how the solid beats are spaced specifically the exact same for On1 and On3? All you do is beginning stepping On3 as opposed to On1.

That's why dance On3 is so typical in Latin America. Individuals either Try to dance On1 yet begin stepping On3 by mishap and it exercises just fine, or They do not recognize much about timing and are simply translating what they listen to in the music, based on their experience maturing in a culture with salsa.

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